If you wish
to escape to Bangalore from the “unbearable” Chennai heat in the
air-conditioned comfort of Shatabdi Express, think again.
The Indian
railways’ recent decision to “upgrade” the coaches of that train by installing
television screens in them, has, in effect, downgraded the sensibilities of
passengers having to travel amid the cacophony of pure, unadulterated film
music.
A travel by Shatabdi
to Bangalore is anyway irritatingly punctuated by the catering department, from
the sinful snack tray that ushers in the journey to the overloaded and
overflowing dinner platter for that climactic ending.
But the torture
is now magnified by the continuous cacophony of “fresh from the oven” raunchy film
songs that comes packaged with provocative movements. What is very disturbing
is that the railway ticket does not carry a U, UA or A certification. The
coaches are indeed full of children, running up and down the aisle. Now, they
have a distasteful baby-sitter, blaring raucous songs accompanied by gyrating
pelvises and heaving bosoms.
The point
is: Is film dance and music the only entertainment for us? Television channels observe
even Gandhi Jayanti with “superhit” films, sponsored by videshi colas.
But why did the glorious Indian Railways succumb to this lewd temptation? The old and prestigious institution can surely sense aesthetics and introduce a low-volume, high-interest package on television. It could be a circus show, a gymnastic presentation, an animal channel, anything but these suggestive visuals. Is the Indian Railways listening?
But why did the glorious Indian Railways succumb to this lewd temptation? The old and prestigious institution can surely sense aesthetics and introduce a low-volume, high-interest package on television. It could be a circus show, a gymnastic presentation, an animal channel, anything but these suggestive visuals. Is the Indian Railways listening?
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